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After two locally successful mixtapes, « I Don’t Like » became a local hit in Chicago. The attention he received increased during the short time between the release of several mixtapes and music videos, including « Bang », « 3Hunna » and « I Don’t Like ». While under house arrest for a previous weapons charge, Cozart posted several videos to his YouTube account. He began rapping at a very young age, regularly listed as 5, using his mother’s karaoke machine and blank tapes to record his music. Cozart dropped out of high school at age 15. He attended Dulles Elementary School and the Banner School, a therapeutic day school. Keith Cozart was born in Chicago, Illinois and grew up in the Englewood neighborhood on the city’s South Side. Despite being dropped from Interscope in late 2014, Chief Keef would continue self-releasing mixtapes through his Glo Gang label. His debut album Finally Rich was released on December 18, 2012. He has signed a major record deal with Interscope Records, along with 1017 Brick Squad, and was the CEO of his own record label Glory Boyz Entertainment. But the song's success is all in the details, the way DP plays with the EQ settings, giving shape to the track that makes it less loop than song. Anyone interested in current street rap's potential for emotional breadth shouldn't miss it.Keith Cozart (born August 15, 1995), better known by his stage name Chief Keef, is an American rapper from Chicago, Illinois. The swarming whirlwind of sound acts as a sweet release while Keef croons in craggy autotune. But perhaps the tape's best record-the bonus track "Rolls", hidden on the second half of "All In"-is the best example of DP's ability to effortlessly juggle intricate, interlocking melodic pieces without losing sight of the bigger picture. The records which best illustrate the duo's chemistry, though, aren't always the most complex: "Know She Does" relies on a simple four-note melody, and its directness is euphoric. When the melody jumps up and down like a jagged EKG, as on "Worries," he raps with a deadened affect.
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On "Runnin"-one of the tape's more recent records-he fits his voice right at the center of the cascading keyboards with a hooky central melody, letting the beat swirl around him.
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DP likes active snares and tricky drum programming, and Keef-in splitting the difference between rapper, auteur, and songwriter-knows how to best complement these widely varying canvases. Though DP's work shares the same roots as the 808 Mafia formula that dominates the Southern club circuit, he's got more ideas, a more subtle sense for vibe, and ornate tastes. Many of the best records here work similarly, as miniature synthesizer symphonies that aim for synapse-overload. It's the kind of giddy thing which would normally accompany a song about a new crush, giving Keef's icy denials an ironic frame. DP's more recent work is represented in cuts like "Don't Love Her" (originally intended for Keef's unreleased Thot Breaker project), which piles on layers of keyboard melodies to suggest a sugary rush. Though neither made an official Chief Keef project, both are included here in pristine quality, capturing drill music's recent drift into the disorienting.
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Though the producer is based in North Carolina, his sound has shaped the popular music of the Midwest: the enigmatic melancholy of "Tec" and its sour brother "Fool Ya" were both major regional records last summer, with "Fool Ya" receiving regular spins on Power 92 and cresting 8 million views on YouTube. Where Young Chop built upon more maximal tendencies, DP Beats is detail-oriented, conveying more subtle shifts of mood. It's essential not just because the music is uniformly great-by any standard, this is one of the most consistent tapes in Keef's catalog-but because it captures a period of time in which each individual piece is in danger of being lost, released only as a low-quality YouTube snippet, or perhaps never seeing the light of day at all.
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Almighty DP is a DJ-free CD-quality compilation put together by DP Beats himself, the first in a series of tapes culling the duo's work together, songs released primarily over the course of the past year.